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Archive for the month “January, 2012”

Resolution Rituals

And the days are not full enough
And the nights are not full enough
And life slips by like a field mouse
          Not shaking the grass.
- Ezra Pound

Among the many resolutions Ankhie makes every New Year, one remains consistent. Live more. I make this resolution as though it were a vow to be renewed. All of us, ALL of us lead busy lives – overscheduled, overworked, always tired, stretched too thin – our lives, you say, are already too full!  But there is a world of difference between busy lives and full lives – one depletes, the other enriches. Think of a typical evening, hurrying home from work, shuffling the kids from one activity to another, making dinner, doing laundry, paying bills, falling into bed exhausted but too tired to sleep: that’s busy. Now think of another evening, standing under a starlit winter sky, the only sounds the wind in the trees and your own breath – the Milky Way so close, so bright you feel as though you could fall up into it: that’s full.

Resolutions, no matter how sincere or well intended, are often put aside or forgotten in the face of those very real and necessary day-to-day tasks.  How so we make the shift from maintenance living to full living? How do we become more of who we want to be? As with all things, a ritual can help to focus priorities, and affirm commitments. The following is from Karen Harrison’s The Herbal Alchemist:

Innovation Ritual

When we want to make changes and new beginnings in our lives, we often must first make room for them by releasing old habits, people, or ways in which we currently use our energies that are no longer working for us. This can be in any area of your life, so before doing this ritual, first begin by looking at the person, thought pattern, job, or lifestyle that you feel is hampering your efforts. Decide what you need to release in favor of new thoughts or perceptions that will allow you to alter your attitude and ingrained reactions. This will give you the mental space to plant new roots of behavior and to have them to grow in your life. Next, determine how you want to grow or change: spiritually, monetarily, emotionally, physically or intellectually. Once you know where you need to let go and what you wish to change about your life, you will be ready to do the ritual.

The supplies you will need for this spell are the following:

  • electric blue candle and candle holder
  • Incense burner
  • calligraphy ink
  • green quill
  • piece of parchment
  • an object that represents the new you (see Note)
  • three- or four-inch-long black silk or cotton (not polyester)
  • small box (such as a matchbox)
  • Uranus Oil (see Planetary Formulas in appendix e, Formulas and Recipes)
  • matches
  • Uranus Incense (see Planetary Formulas in appendix e, Formulas and Recipes)

On an evening when you will not be disturbed, arrange your altar with your candle at the left top edge; your Incense burner at the right top edge; your ink, quill and parchment at the right bottom edge; and your”new you” object at the left bottom edge, leaving the center for the black cord and small box. For the moment, just lay the cord coiled in the center of your altar. Cast your circle or center your energy. Anoint your candle with your Uranus oil, from the bottom of the candle to the wick, and light it. Light your Incense charcoal from the candle flame. Let it ignite almost completely across, then set it down on a bed of insulating sand in your
Incense burner. Place a small spoonful of your Uranus Incense in the center of the charcoal.
In the center of the piece of parchment, draw with your ink and quill a symbol that represents the thing that you are releasing from your life that has been holding it back. If this is a person, you can draw his Astrological Sign or initials, for example. If it is your employment, draw the logo of the company or its initials; if it is a bad habit, draw a simple image that represents this lifestyle choice. Next, around this symbol, draw a square, which represents the limitations that this has set on you. Set this parchment sigil in the center of your altar. Pick up the black cord and knot the two cut ends together, concentrating on the problems or limitations that you have encountered with this person, job, or lifestyle, placing the energy of the problem in the knot. Lay the cord in a circle around the parchment sigil in the center of your altar. For a few moments, continue to focus on the problem while you also become aware of your breathing. Each time you exhale, imagine yourself exhaling the hold that this problem has on you. Feel yourself becoming lighter and more relaxed. After each exhalation, say, “I release you.” Work on this release for about three minutes, or until you feel very relaxed and light.

Next, pick up your cord and carefully hold the knot in the flame of the candle, igniting the knot and burning away the problem. Set the remainder of the cord in the box. Next, holding the parchment by the very edge, ignite it with the candle flame. Let it burn toward your fingers and go out. If it burns dramatically, you can blow on it lightly to control the flame and blow it out while concentrating on release. Place any unburned parchment in the box with the burned cord and put the box to the side. When you have finished with this part of the ritual, relax for a few moments, enjoying the release and lightness.

Now take in your hands the “new you” object, concentrating again on your breathing and what you are bringing into your life. With each inhalation, breathe in energy, motivation, and optimism. As you exhale, breathe on the object, filling and charging it with this new, exciting change. After you have filled it, set the energies by anointing it with your Uranus oil, then hold it in the smoke of your Uranus Incense and place the object next to the candle. Leave the candle to burn down all the way and go outside to dig a hole to bury the box with the parchment ashes and cord. Bury the box, firmly tamp down the dirt, and walk away, never looking back. Feel the freedom and lightness.
The next morning, take the jewelry from the altar and go to a mirror. Watch yourself adorn yourself with the jewelry, focusing on the changes it represents. If you have chosen an art object, take it up from the altar and place it in a location in your home where it will be prominent, being mindful of the changes it represents.

* An object that represents the new you: This object can be a piece of jewelry with a clear quartz, rutilated quartz, amazonite, or kunzite stone set in it, or a small, lovely art object that you feel sums up the changes that you will make. If you use an art object, you will later set this piece in a prominent place in your home after the ritual so that you can see it every day to reinforce your changes. If you have chosen a piece of jewelry, you will wear it every day after you have charged it in your ritual to keep drawing that innovative energy to you.

** Note: In this ritual, you are literally “playing with fire,” so be careful. You may wish to also have a plate on your altar on which to set the burning parchment in case you get nervous. That way you can let it continue to burn without scorching your fingers. Also, since you are letting the candle burn all the way down, which will take several hours, your altar needs to be set up in a room that is closed off to all children and pets. You do not want to set your altar up near curtains or other flammable things. Your jewelry or object is going to be on the altar next to the candle, and you don’t want it covered with melted wax in the morning. Be sure that the candleholder you choose has a bottom that can contain melted wax. You may wish to place your jewelry or object in a small container set next to the candle just to be safe.

ap p e n d i x   e
Formulas and Recipes

These formulas are complete unto themselves, but you are encouraged to make them your own by adding or omitting ingredients and fashioning them in such a way as to create personal blends derived from your own intuition, knowledge, and inspiration. I have listed the amounts for each herb, essential oil, and resin in the time-honored unit of parts so that you can make the amount you deem useful for your workings. A part can be one handful, one tablespoon, one-quarter cup—whatever volume you prefer. I would recommend that with any of your essential oils, you consider ten drops to be equal to one part. After you have blended in your essential oils, let your creation sit overnight, then smell it to see if you would like to add more of any oil that you particularly like for a stronger scent according to your personal taste.

Planetary Formulas

Uranus
one part allspice berries, crushed
one part powdered nutmeg
one part gum mastic
one part clove oil
one part elemi oil

Dark Earth and Deep Water

Ankhie just spent a glorious weekend (after a rather inglorious bout of stomach flu) in the Catskills with her near and dear, doing what we always do this time of year – outdoor rituals involving potable potions, swirling flame, best intentions, and a great deal of laughter and music. This year, there were new friends joining in – unused to our witchy ways and the peculiarities of the (rather enchanted) place – so there was some explaining to do.

The Catskills, for those of you who are unfamiliar, are situated about 2 hours north of New York City, west of the Hudson River and the granite hills of Massachusetts and Connecticut. The Catskills are composed mostly of ancient sediments -slate and shale – and when viewed from a distance the mountains display a distinct striated pattern.  They are stunning, and very spooky.

Our friends live in a hollow between foothills. The property was once owned by a fringe religious group, whose members occasionally still turn up asking “Have you found the root cellar?”  No explanation is offered. No clues as to what or where the cellar is, or why they are still interested. They seem harmless, just curious about how the property has changed, but won’t expand on their inquiries.  Because the ground is essentially rock with a thin veneer of soil and grass, a root cellar (or any excavated space) would have been quite a labor, and not quickly abandoned or easily overgrown. Even so, it’s location and purpose is still a mystery. What my friends have found is a chamber built into a  shale shelf behind the neighbor’s house (a likely candidate), a deep and truly unsettling cistern (think The Ring), and a quarry riddled with small animal dens.  The new members of our party were briefed on all of this, and appropriately fascinated.

What is it about these deep and dark places that so enthrall us? In my own extended, childhood backyard there is a well hidden just off an abandoned road. It has no walls above ground level, and is often disguised by fallen branches and leaves. It is a deadly thing. Deep beyond sight, and lined with jagged stone.  If I’m near it, I just can’t stay away – even though the debris makes its exact location a mystery and a threat, every time.  Then there is the old soapstone quarry, just a semi-circular cliff now, rising from the body of a reservoir. In a boat (the only way to access it) the walls are sheer and echo every sound, the water, clear as glass 100 yards away, is black here, and very still. I have never caught a fish there in decades of trying, but it’s always the first place I steer my boat.

It is not at all surprising that these types of places have always been associated with both the spiritual and the paranormal. Wells and springs haunted by faeries or other native spirits became associated with Saints, just as temples were torn down for churches. These places speak to the darker (non-intellectual) part of ourselves for good reason. What that reason is exactly, I’m not informed enough to say, but I did run across this passage in Freddy Silva‘s excellent Legacy of the Gods; the Origin of Sacred Sites and the Rebirth of Ancient Wisdom:

Beneath the holiest of Muslim shrines, the Ka’Ba, there exists a well; sacred springs exist below Temple Mount, just as they do beneath Chartres and Glastonbury Tor; the Gothic cathedrals of Wells, Winchester and Salisbury are built on marshland and designed to  practically float on such architecturally unsuitable terrain; in fact, so many beautiful pieces of sacred architecture sit on ground wholly unsuitable for heavy structures.10 The Egyptian pyramids sit above deep fissures of the earth through which flow hundreds of veins of pressurized water. Even stone circles amid the deserts of Nubia and Libya sit on domes of water, as does the Navajo altar in Monument Valley, situated between two voluminous sand dunes out of which bursts a serpentine gush of cold, clear water.

Without exception, every sacred site is located above or beside water. Water is the foundation of every temple.

Like sacred mountains or landscape temples, holy wells and sacred springs are the epitome of the temple in its natural state, and their hypnotic power has been honored since prehistoric times. Many have been integrated within the boundaries of constructed temples, even represented on the inside by the octagonal church font and its holy water. In his delightful discourse on the holy wells of Cornwall, Paul Broadhurst describes how these places were seen by ancient people “as gateways to the Otherworld, where the vital flow of life-force could be used to penetrate the veil of matter to experience a more formative reality. And so they were used to contact unseen realms where communication could take place with the gods and spirits.”11 Celtic Britain – Ireland in particular – still venerates its ancient holy wells and sacred springs, and anyone who visits these remote shrines is often taken aback by the monastic ambience pervading their surroundings. Direct contact with these special waters have provided healing and inspiration for poet and pilgrim since the days of Sumerian Eridu and its temple honoring Ea, the god of the House of Water, where the ritual of baptism was performed as an integral part of temple initiation.

Ea and the Babylonian post-diluvial god Oannes share identical characteristics and attributes thousands of years later with John the Baptist via the linguistic route of the Hebrew Yohanan, the Greek Ioannes, and finally, the English John. Strange how an identical character emerges in the Biblical narrative 9000 years after the god Oannes emerges from the flood, complete with fish symbology, and an aphorism Wells Cathedral sits over several sacred springs,from which its gets its name.reminiscent of the act of consecration of the Egyptian temple: “Unless one is born of water and the Spirit, he cannot enter the kingdom of God.” 12

Throughout Britain, western France and northern Iberia, holy wells and springs came under the protection of the Celtic church, essentially a reformation of Druidism, which maintained the tradition of honoring the site to the degree that by the Victorian era physicians in London were still sending patients to be cured at such pagan sanctuaries. On my guided excursions to the wells and springs of Cornwall and southern Dorset I have watched groups of excited and inquiring minds develop an immediate languid state of mind as they approach the waters of St. Catherine’s well at Cerne, once part of a pagan temple honoring the fertility god Cernunnos. Likewise, the holy well at St. Clether, Cornwall, is a unique sanctuary where a channel of water from the outside well house passes directly through the tiny church and under a rough stone altar resembling one of Stonehenge’s trilithons in miniature.

Water at sacred sites is very different in frequency to ordinary water. Tests conducted using infrared spectroscopy show that holy water absorbs light at different frequencies. Holy well water is free from bacteria and contains natural minerals which are known to be beneficial to health and longevity.13 This extremely pure water also exhibits greater properties of spin, and such vortices create an electrical charge which then generate an electromagnetic field, certainly enough to transform it into something different from ordinary liquid.14

Despite the world being covered two-thirds by water, it is still a mysterious element: it grows lighter rather than heavier as it freezes; its surface tension causes it to stick to itself to form a sphere – the shape with the least amount of surface for its volume, requiring the least amount of energy to maintain itself. And yet when its extraneous gases are removed from a drop the size of an inch, it becomes harder than steel.15 Its potency can be enhanced by the use of crystals, particularly quartz, the prime material found in the stone used in temple-building. This has a marked effect on water’s surface tension, and Tibetan physicians have used this combination to make efficacious solutions for their patients.16 Not surprisingly, enlightened kings and queens of old had water transported from sacred sites to their court by means of rock crystal bowls, which served to maintain the energy of the water during transportation. Anyone who has tried this in recent times knows just how it makes the water taste like liquid air.

As a postscript – very near the quarry (across the water to the south) there used to be a spring – just a pipe jutting out of the hillside and spilling into and old horse trough. I remember drinking from it on hot summer days.  The pipe was pulled out and the trough removed years ago (worries over bacteria, etc. etc.) but no water, nothing in fact, has ever come close to that taste. If  I had to reduce the enchantment of childhood to one sensation, that would be it.

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